Wednesday, 19 October 2016

Cutout Animation

Cutout Animation
This is an animation technique for creating a stop motion animation from flat paper cut outs of a character, a prop and the background. Not all have to be cut from paper, they are sometimes cut from: card, stiff fabric or even photographs. they are done like any stop motion animation, by taking a series of still images of slightly moved objects and then is played back as a certain frame per second to give the illusion it is moving, this is the exact way cut out animation is created, by moving cut out models to create a series of still images that appear to make the object move.

By today cut out animations such as South Park are mostly done on computers like any other animation in the modern age due to the ability to be more efficient in creating a full show on the computer rather than cutting out separate characters for every scene. This process is done by scanning images being used rather than a physical version of the cut out. Going back to South Park, the Pilot episode was actual physical cut outs of the characters before the creators (Trey Parker, Matt Stone) decided it would be more efficient to create the show on a computer.

This is the first ever episode (pilot) of south park in the best quality i could find on youtube.



















My own Cut out animation:



Monday, 17 October 2016

Page Assembly Exercise




I created a page at A4 size with two coulombs, then, i placed one of my own images of a water fall in Iceland into the left coulomb. i also added a text box to the top to create a header.


I then added the title 'Page Assembly Exercise' to the top of the page.

i then placed a new image of Conor McGregor on the right coulomb.

i then added a body of text provided written in latin.

i then added Page breaker in between the text in both coulombs 'Natural Beauty' on the left, 'The Notorious One' on the right coulomb.


Tuesday, 4 October 2016

Cellulose Plastic (Cel) Animations

Cellulose Plastic (Cel) Animations

Cellulose Plastic animations are some of the first animation techniques for had drawn cartoons in the modern age from the start of the 1920s.

The process is made up from a hand drawing on paper that is then traced onto a slide of cellulose plastic. The initial trace of the drawing is simply the dark black outline of the drawing, the sheet is then turned over and painted on the other side inside the lines of the trace.

The drawings are then placed on a sort of filing system which is used to keep all the images aligned so they can then be photographed, the sheets of Cel' plastic has holes like filing paper or plastic wallets that are inserted into the the file, this secures the images accurately. This sets the wheels in motion for the animation to begin. An example of this technique is shown below.





This 1930's video shows in early 1900's style the exact procedure that Walt Disney had to go through to create his first masterpiece 'Snow White and the seven dwarfs.'






Snow White and the Seven Dwarfs was Walt Disney's first film to be received by critics back in 1937, it was a huge success being one of the first cartoon full length movie, the movie was made by using cellulose plastic animation. By the time the finish was completed almost years after Walt Disney made his dream become a reality over 250'000 cellulose sheets had been produced by women is a printing office. The budget for this film was: $1,488,423. The film came out of the box office with a staggering: $418.2 million. 

The Quality of the animation from 'Steamboat Willie' to 'Snow White and the seven Dwarfs.' is obviously increased, not just because of the new addition of colour in the cartoon which creates a brand new dynamic theatre experience, but it is much smoother than the first cel animation Disney created, the reason for this is because more sheets where animated in one clip meaning there are almost 3 sheets for every 1 sheet in steamboat willie making the cartoon characters look like they are actually moving not a jagged 'laggy' movement.


Move on into the 1940s and and a young company is emerging, 'Hanna-Barbera' this company is responsible for a massive part of my own childhood, this company created the Cartoon shorts 'Tom and Jerry' a slapstick comedy cartoon for children about a devious mouse (Jerry) and a deranged cat (Tom) who will stop at nothing to catch the mouse, this cartoon was in my opinion the greatest cartoon series in history, but, like i said its my opinion. the difference between disneys cartoons and now Hanna-Barbera' is the speed and tone it has compared to its predecessor. Tom and Jerry is very slapstick and in some cases contained scenes of violence against two characters. This put a contrast between the two animators as Disney tried to keep his animations as child friendly as possible by today's standards, however back in the 40's not a single person would have an issue with tom and jerrys violence against each other, even though it is barely even violence at all because neither character ever actually got hurt, however, it would be difficult to air a show such as this to a new audience, it just wouldn't fit with the genre that parents expect unfortunately. never the less these cartoons showed that a children's cartoon can contain more than princesses and love story's, it can give you a real comical night of entertainment which that era was sorely missing.

A clip from Tom and Jerrys First televsion aired episode: 




























However the animation in snow white and the seven dwarfs is an artifact by today's standards, cartoons today are made in bulk, shows like The Simpsons, Family Guy to name a few. Today cartoons are created on the computer meaning they are much faster to create but that doesn't mean the main animation technique is gone, the cartoon is still drawn in separate shots they are just edited using a computer once they are all drawn, shows like family guy (right) show that animation has the ability to be more than a children's form of entertainment.

'The success of 'The Simpsons' really opened doors. It showed that if you were working in animation you didn't necessarily have to be working in kids' television.' this is a quote from Family guys Creator Seth Macfarlane.

More quotes from him can be found here along with many other celeb quotes:













Pre Production Assignment

I have been asked by the college to prepare a blog post to explain to new students, who are considering making their first film, how you plan your short film productions and how you monitor each stage of the production process. 


The way that a film can affect my planning compared to creating a TV show is mostly the script and length of the story available, usually a film on average clocks in at around 130 minutes, granted, some are longer, and some are shorter but 130 minutes is the average. This means the script would have to nicely fit into that 130 minute mark, anything longer than 230 minutes could be deemed ‘too long’ and anything shorter than 115 minutes could be deemed ‘too short’.

 Time management
Time management is very important when creating a film if a film misses a deadline it can be catastrophic.time management is the difference between a good film and a great film; more time = more productivity.
A timetable is a great way to keep up on exactly what needs doing and when, in doing this will give you and your crew the ability to work together as a team or work force to get on with separate tasks to get the end result in time for production.   
Resources
This is everything physical you will need to create a film; and because its a film we are creating, actors are an obvious must, so advertisements for an audition should be created to actually present actors are needed, however for main actors especially in a blockbuster professional film should be hand picked so long as they actually want to take part in the film, so an offer must be put in place to multiple actors and then you get a clear idea of who will play what in the film. (Below) this is a casting sheet template, this it the document used to hire the actors or cast in the production stage.
Props however can be bought or rented. Consumables such as food and drinks, prop drugs and alcohol can not be rented that's disgusting! no, they must be bought like you would normally for consumables as they cannot returned.
Cars, costumes/clothing, weapons, and other physical non consumable props can be either bought or rented so long the condition is the same as when you bought it, don't expect to be able to crash the car for a shot in the film and then be aloud to return it. To rent a prop will later help you in the finance area of the production as it will be much cheaper and cost effective for larger props such as cars, however it could be cheaper to buy prop weapons etc.
Camera Equipment for an indie film will usually be rented as they are very expensive however in a professional film most equipment is owned because for a 2 year production it would be cheaper to buy the main cameras as they will be excessively used however certain lighting equipment should be rented if there only to be used once or twice depending on the price to rent per day. this also goes hand in hand with the sound equipment as they are the same premise.   

Locations are rented unless you or someone on the crew with your consent already owns that location, if that is not the case you have to fill out a location scouting sheet (below) this is a way to present exactly where you are filming. then you must rent the property for the price given.
Budget and Finance
Keep your mind on your money and your money on your mind. Wise words when it comes to you film, imagine getting to the end of a 2 year film and running out of funding of the last leg of filming, this is the factor you should count as the most important or you will suffer massively. Now i am going to assume this for a professional , funded production as indie films are a lot more 'guerilla'. if you have previously brought out a film then your in luck, ticket sales, DVD/Blu-ray purchases and streaming company's can help fund your next project, however i am going to presume this is not the case and you need other ways to fund this film of yours.
Equity  
Hard cash investments made to your project by a single investor, a group of investors, and personal investments from colleagues/family. Equity investments require that the investor own a stake in the film, this is essentially a loan in a way as they MUST BE PAYED BACK. 
Pre-sales
Pre-sales agreements are pre-arranged and executed contracts made with distributors before the film is produced. These agreements are based on the strength of the project's marketability and sales potential in each country/area. A distributor will create a value for your project given the script, the talent (actors), and crew, as well as the marketing approach, and then enable you to take out a bank loan. before you profit from your project you MUST pay back the loan, this cannot be stressed more!
Government grants
A number of governments run programs to support the cost of producing films. Governments are willing to provide these supports as they hope it will attract creative producers and directors to their area and create employment for that area in the film industry. Also, a film shot in a particular location can have the benefit of advertising that location to a world audience like how lord of the rings is actually filmed in new Zealand, that country has seen a 50% increase of tourism since its release creating massive amounts of money for the government there. Because of this being a grant rather than a loan it is not expected to be payed back!

Private Investors
One of the hardest types of film financing pieces to obtain is private investor funds. These are funds invested by an individual who is looking to possibly add more risk to his investment portfolio, or a high-net-worth individual with a keen interest in films.
Product placement
Remember Marty Mcflies self lacing Nike trainers and the cool futuristic Pepsi he buys in the future cafe in back to the future 2? or the mail service tom hanks works for in castaway? Well, that's product placement! Nike,Pepsi and Fed-Ex payed the directors of those films to insert there company/product somewhere in there films so they could get easy advertisements and more publicity but this will also help the directors fund there film.
Communication to the cast
This is how your going to get that great film idea out of that brain of yours and onto the screen because the crew cant read your mind so you have to visually show them exactly what you want and exactly what your image is in your head because everyone is totally different.
Story boards
a story board is a visual aid with short notes to show the cast and crew exactly where the camera should be positioned, where the actors should stand if they are in that scene, who is in what scene, how the scene should look, and the tone of the scene. (below) a story board template.
Legal
Finally, see if you have the right permissions to broadcast your films.
Copyright 
Make sure that you have permission to use almost anything in your film, its a pain but it will save you a lot of backlash. The second someone can find a way to sue over copyright infringement, just like Mike Tyson, poor iron mike is now a walking copyright infringement as his notorious facial tattoo as his artist who created the tattoo sued the directors of the hangover films because of the tattoo being in the film even though the tattoo is permanently printed on Mikes face.